Updike & the English Novel

The English novel is often thought to be realistic because it is about class: how Clarissa and Elizabeth Bennet find their ways to marriages beyond their station; how Pip, within the infinitely complicated world of High Victorian occupations and family lives, as those are so meticulously observed by Charles Dickens, will become a middle level bureaucrat even though he also had the Romantic ambition of regaining his first love. But that is to forget that the father of the English novel is Daniel Defoe, whose Robinson Crusoe is a figure on a desert island and so there is no class conflict at work there, only his interaction with someone who acts as his servant. It is therefore perhaps better to think of the English novel as being not about social class but about the virtues of the middle class: these people are ambitious and they are good at taking advantage of opportunities to improve themselves, even if those plans do not always work out. The middle class novel is engaging because it is filled with hope, people being capable of at least sometimes overcoming their adversities and making their lives what they want them to be. The protagonists act to improve their lives and so are neither pathetic, in that they are incapable of not being overwhelmed, nor tragic, in the sense that the gods or fate have doomed them to failure. The English novel therefore makes for a good read because in keeping track of the ups and downs of the fortunes of its protagonists. In the drama of whether or not they will succeed, the reader learns a lot about the social circumstances, the social reality, the protagonists must confront if they are to succeed. Success is itself a reality, not a feigned state, just as failure is a reality and not just the lack of appreciation for the inner workings of the protagonist, which are the two stories told by Camus (the first in “Caligula”, the second in “The Stranger”) and also by other Age of Anxiety novelists.

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"Big Little Lies"

Beware. There are spoilers in this article. Watch the series before reading.

I have binge watched all of HBO’s miniseries, "Big Little Lies", and I was very impressed by it. It is a very well observed and nuanced presentation of feminist themes. Here we have rich women living in beautiful Monterey, California. (The view from that wonderful bridge near Big Sur and other shots of dizzying cliffs in the area serve very well as both metaphor and plot device.) The three main families are quite different: a single mother, a remarried divorcee living in the same community with her remarried ex and so having to negotiate about children and mutual jealousies; a seemingly perfect couple where the husband won't allow his wife to work. The last two live in fabulous houses while the first is just getting by. What happens in their lives is very gripping.

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The End of Social Movements?

European social movements over the past hundred years have been largely out to change the values of one or more societies. These movements include Communism, Socialism, and Fascism and, more recently the drive to unite Europe into a federation and the counter-movement to reassert various European nationalisms. There are exceptions to this European pattern, such as the suffragette movement and the environmental movement, but the generalization holds. The United States, on the other hand, has over the course of the century from the 1880’s to the 1980’s had its history filled with movements that are interested in the issues that concern one or another particular section of the population, and that may account for the fact that American history is not regarded as a history of ideas while European history is so regarded. American movements for that period included the labor movement, which was out to protect workers; the reaction in the South against Reconstruction, which was out to re-entrench white minority rule; the temperance movement, where women wanted to save their husbands from drink; our own suffragette movement; and more recent movements, like the Civil Rights movement, the women’s movement and our own environmental movement. But all that has ended. There has been no significant social movement in this country in nearly forty years, and the question is why that is the case.

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Desperate People

A desperate person is someone who does not have the resources to sustain either his or her own life or what might generally be considered an adequate way of life. Desperate people can be homeless, or suffering a terminal illness, or victims of a war. They do not know where to turn to help them out or else, like the people of Puerto Rico, they don't know why they have not been helped out. They are different from people who are caught up in a way of life that seems normal to them, rather than desperate, but which may have many of the same sequelae. Someone living in a gang infested neighborhood may think that is just the way things are, some people getting shot at random, however unfair that may be. Others living in the same neighborhood are truly desperate because they don’t think this is normal, not the conditions under which anyone should live, a definite privation rather than a culture. People who emphasize the idea of the culture of poverty portray gang violence in the first way, as the way life is, dysfunctional for the community as a whole, but not for the gang members who get money and excitement in exchange for their shortened lives, while people who emphasize the structure of poverty portray gang violence in the second way, as the way life doesn’t have to be except for the fact that gangs provide work (in the drug trade and other illegal ventures) as well as a sense of security to people who do not have other resources. We can begin to understand the nature of desperation better by focussing on the general phenomenon of a disaster rather than looking at the ongoing disaster that characterizes some American communities and which is confused with a normal way of life.

 

 

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Three Levels of Culture: The Relationship Between Culture & Social Class

What follows is a primer on the relationship between culture and social class.

Culture is a set of objects and events that are fashioned or crafted so as to serve as objects of contemplation and so yield to their viewers or readers or auditors a variety of emotions, images and ideas. This is true of television, novels, operas, art installations, portraits and anything else elevated to a place where it can stand out as engendering aesthetic as well as other responses. This is the view of culture favored by the philosophical pragmatists of the last century, most notably John Dewey and Arthur Danto. It is very different from the view of culture that we might call anthropological because that view considers the culture of a people to be their entire way of life, including courtship behavior, religious rituals, the way they go about planting crops. The anthropological view does not distinguish very strongly between customs and choices. People do what they are expected to do, even if some warriors are braver than others. The pragmatic view of culture, as do other Western views of culture, thinks of culture as a way for people to lift themselves out of their immediate surroundings so as to have a sense of what is universal, of what is familiar or spot on, and of how an alternative to one’s current life might be.

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Ken Burns' Vietnam II: Student Unrest

Ken Burns, in the episode of his series on the Vietnam War that is about the Tet Offensive, briefly refers to the student demonstrations at Columbia University and around the world. I was there at Columbia at the time, as a graduate student and a young instructor, and so I can fill in some of what happened so long ago.

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Ken Burns' Vietnam

I have reluctantly sat through, so far, more than half of the Ken Burns series on the Vietnam War. “Reluctantly”, I say, because that war is not something I very much wanted to relive, having been aware of that war from start to finish as a student and graduate student and then a young professor of sociology who had participated in demonstrations, signed petitions, and gave lectures saying how purposeless was the war and all the suffering it imposed, trying as best I could to give aid and comfort to those who left the United States to go to Canada so as to avoid the draft. When some years later, during the Reagan Era, I mentioned to a class that I had been opposed to the war and demonstrated against it, something I thought of as very conventional behavior, many of my students were flabbergasted that this amiable and still young professor could have turned against his country. For them, the war was over, just unsatisfactory in the way it was settled. But It seemed to us anti-war people who had stood on the sidelines, having ourselves somehow legally avoided the draft, I through a series of student deferments and then because of age, that, while it was going on, the war was never going to end, and so there was a great sense of despair about the war, nothing like what I took to be the satisfaction felt by those who had made it through World War II, and this is the sense of despair that Ken Burns captures very well, that on top of the fact that he got the facts right, at least as I remember them. So let’s probe the wound.

 

 

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Peter Brown's Christianity

A sociologist looks at a great historian.

 

That extraordinary scholar Peter Brown’s latest book “Through the Eye of a Needle” is a magisterial account of the social, economic and theological structure of the late Roman Empire. His guiding thesis as he states it in his introduction is that as a result of that great outpouring of theological genius in the later part of the Fourth Century the Church came from regarding wealth as a sin, which it was in the Gospels, to regarding contributions to the Church as justifying great wealth. Wealth was good when it went to the Church, and that explains the prevalence of the Church in the Middle Ages. I think this thesis basically wrong, first of all, because, as Brown himself shows in an early chapter, contributions of mosaics and other church naming occasions were already part of Church life right after Constantine converted to Christianity and, indeed, I might add, are part of every religion known to mankind, whether that means putting up a cathedral or getting a seat in a synagogue named after a deceased family member.

 

More important, the thesis is wrong because Brown imposes his thesis upon a description of social life where economic motivation is taken for granted as the reason for doing things, while the idea that people can earn favor with God by making contributions provides a motivation of the sort envisioned by Max Weber when he spoke of the decisive importance of the Protestant Ethic in liberating Europe to become capitalist, while Brown imagines that religious motivation for the accumulation of wealth results in the economic stagnation of medieval times, when it ought, by his logic, have led to capitalism in the Sixth and Seventh Centuries.

 

Most of all, why is it necessary to reconcile the remark about the camel and the needle with the practices of rich members of the Church? People join and support churches for a variety of reasons. They like the liturgy or they like feeling part of the community of respectable people. They can take theology or leave it. The New Testament has a great many passages that are in spirit contradictory. You are supposed to welcome the prodigal son, which is supposedly a tribute to the idea and feelings of family as well as an allegory for dealing with believers who stray, and yet Jesus also came to separate sisters from brothers. Which is it? A believer can live with the admonition about rich people because what he likes about Christianity is that it offers salvation to everyone, even including rich people, and maybe in a particular believer’s case, a depth of conviction must surely make up for the fact that the person is rich. Moreover, maybe the remark about rich people came from the looney or radical fringe of the movement-- though that is an insight that would come to a modern mind, one less trusting to texts than the great Fathers of the Church. At any rate, there is no need to pose this as a crucial matter, as Brown does, unless there is reason to think a doctrinal point is not only central but fraught with consequences, which is what Weber did when he said that a belief in good works was key to Protestant Christianity even if predestination ruled out those good works being the cause of salvation. Practice rather than meaning has consequences.

 

A Seventh Century capitalism did not happen. What did happen, according to Brown’s brilliant interpretation, The Church had accumulated wealth and that made it powerful with a soft power that could counter the power of the state, which was the power of the various kingdoms that had arisen after the fall of Rome. It invoked this power in the name of the poor, which is to be taken to mean not only those in poverty but all those well into the middle class who were not part of the aristocracy or the wealthy. So the Church had a constituency to be looked after and its wealth made that possible, and that is what made it the dominant institution of the Middle Ages. That is very different from saying that the Church was the progenitor of a kind of capitalism, though this claim could indeed be made in that monasticism, which depended on generous contributions from the wealthy, did see the origins of a countryside based capitalism that did not survive for more than a few centuries before efficient economic activity was eventually moved from the countryside to the city in part due to the efforts of Pope Innocent III in the early Thirteenth Century.

 

There are structural consequences when the clergy become the repositories of wealth. They have to become part of what Brown calls “the otherness” of the clergy, as was symbolized by their adoption of the tonsure and of celibacy, something Brown thinks was something desired by the laity and only then enforced by the clergy. Celibacy was necessary because the priests were the people who handled the Holy Eucharist, and so had to remain pure. (Brown does not deal with the prior question of why sexual chastity is more pure than an occasional romp in the hay.) In these and in other ways, Christianity was transformed less by its organizational skills and its growing monopoly of learning than by the responsibilities imposed on it by its wealth. Other religions also create liturgy and a heightened sense of the holiness of their clergy, but the Catholic Church did all of this so well that it dominated the Europe until the Reformation.  To Brown offers up a panorama of late Antiquity, something about which he seems to know everything. The reader is rewarded with a rich feel for the Late Roman Church. Brown explains how St. Augustine went down to meet the crowds that attended his sermons; he explains how barbarian armies were merely mercenaries recruited to deal with civil wars breaking out within the empire and these armies set up courts which local aristocrats found they could deal with as well as when Rome was in charge.

 

The original thesis about religious ideology changing the Church so that it is in favor of wealth is, therefore, not Brown’s true thesis. The true thesis is one that he never overtly identifies, perhaps because he thinks that it is too obvious. That thesis, which makes much more sense and is far more significant, is that structural considerations are enough to explain the evolution of spiritual experience of the Church, an experience which would stretch to the end of the Middle Ages. This is a profound insight into the way Christianity and all other religions operate: that they are subject to the give and take of economic and political forces and it takes no ghost come from the grave, whether that be religious ideology or religious emotion, to call it into being. Religion operates as do all other institutions.

 

As a sociologist, I have certain quibbles with Brown about his use of historical evidence. Early on, in his presentation of the economic and social situation in the early Fourth Century Roman Empire, he uses a farmer who eventually earned himself a position on the city council as illustrating the fact that power explained wealth rather than the other way around, though that is not what the instance he cites would support. You can’t be that loose. Moreover, as with most historians, Brown engages in anecdotal proof, however wide ranging and how many histories of particular communities he may draw upon. What is the basis for his generalizations other than that there are some places, even a great many, where what he says holds true? Now that may be the best evidence available, but it is not conclusive. But be that as it may, there is no gainsaying Brown’s mastery of and his deep insight into his material. This book stands as a worthy rejoinder to those, like me, who take the role of ideas as very important in expressing, creating and propagating new versions of old or eternal religious emotions, and who also think that the Protestant Ethic had always been there, latent in Christianity, and waiting upon events to bring it forward.


 

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Hillary's Character

After reading her book, “What Happened”, I like Hillary less well than I did before I read the book. I know she is letting her hair down, and someone may not be at their most attractive when they do that, but the character she reveals is not all that admirable, for all that she claims that her’s is. Maybe it is just that she is not a gifted writer and so not used to trying to craft insights into a situation rather than relate platitudes so as to sum up a feeling that is more complex than that or else provide an analysis somewhat more worthy than is a two page policy memo at the White House. She is not good at supplying a rumination on the meaning of it all, and that is true of most politicians when they turn to writing, barring such exceptional people as Churchill, who deserved his Nobel Prize for Literature, and Obama, who may not have deserved his Nobel Prize for Peace. Of course, I still would have voted for Clinton to be President. I think she would have been a steady hand at the wheel, right on most issues, though wrong on some, such as feminism and education, and her opponent was likely to become the worst President in American history (he hasn’t started a war yet, but he has been demeaning and besmirching the United States for nine months now), but I do not hold her solely or even largely accountable for her defeat, as some of her detractors do, they continuing to underestimate the ability of the very unqualified Donald Trump to lather up a crowd and get voters to act on the basis of their anger rather than their interests. I blame instead those people who voted for Trump, they fully knowing what he was like because he did not hide what he was. You got what you voted for. So I will take stock of Hillary, and I know she has heard far worse.

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Natural Disposition

What is the natural disposition of mankind? That is to ask what are the basic emotions that make people recognizable to one another and not the ones added on by the veneer of civilization. What, in a word, are our “true” or “truest” emotions? The great psychologist-philosophers all tried to answer this question. Aristotle thought there was a very long list of standard emotions. Hobbes thought that there was an evolution of emotions from the most simple to the most complex, the key being when people learned or came to think in practical terms. Spinoza thought that emotions changed into one another, as when love turned to hate, and dispensed with Aristotle’s notion that there was a Golden Mean, whereby the best emotions were the ones between their extreme versions. Another way to answer the question, rather than to arrange a gigantic table of emotions, is to look at the actual history of mankind so as to see what emotions were exhibited by primitive, and so presumably more natural people. Durkheim looked at Australian Aborigines and concluded, based on their funeral practices, that the most basic feeling of humanity was reverence for the ongoing community. Australian Aborigines are about as primitive as you can get on the ladder of cultural evolution. In his book “A Commonwealth of Thieves”, Thomas Kennelly supplies us with portraits of a few of the Aborigines encountered by the early English settlers in Australia, and so let us consider what Kennelly tells us about people in their full naturalness, though the consideration of different Aborigines might offer different readings. We should remember, however, that we often use people who seem lacking and insufficient in some way or another even if they are singular to tell us all kinds of things about the general human condition. Helen Keller showed that people bereft of sight and hearing could still think and Ishi and the wild boy of Avignon showed us how children raised in isolation were limited as human beings.

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On Being Late

Being a combination of the sociology of everyday life and the history of ideas.

Getting places on time is a ubiquitous feature of modern everyday life. The first ads for cell phones said the devices were useful for making contact with people who might be waiting for you on the wrong corner or for when you might be a little late. Other uses were secondary or came later. We train our children to be on time because not to be indicates a slovenliness of character and inconsideration towards others. Kids learn, train themselves, to be on time, and schools and dates require it of them and so will their future employers. How did this become the case? David Landes, that very distinguished economic historian, suggests that the clockmakers of early modern Switzerland set a revolution in motion when they perfected their instruments so that all of Europe and what would become the civilized world could go by the clock. People who did not catch on to that, who practiced a “manana” mentality, or what I remember being referred to as “Jewish time” because it referenced recently arrived immigrants, were just not suited to the modern world of enterprise and personal advancement. They were like children. 

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Cultural Moments, Cultural Amnesia

Before going on to discuss the present cultural moment, the Age of Trump, let us get straight the definition of the concept of cultural moment.

A cultural moment is the period of duration of a uniform set of preoccupations, emotions and meanings within a community. It consists of the things that people regularly allude to in their thoughts and their talk regardless of what is happening in their personal or work lives. These topics, feelings and images seem to the people of the community to be inevitable references and so not require people to explain why they are so preoccupied. A war, such as World War II, is a public event which defined a cultural moment that lasted from Pearl Harbor to past V-J Day. There may be overlapping events which are fads of the period, that associated with the moment. For World War II, that included swing music and Bond Drives and rationing. There also can be remainders of previous moments that conflict with the prevailing cultural moment but appear to be as such because they are allusions to alternative moments of public consciousness. Labor conflict, a theme from the Thirties, could not hold its own as a legitimate context of experience during the World War II culture, as John L. Lewis found out when public support for strikes disappeared in the context of war production patriotism.

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Political Rudeness

Political rudeness occurs when people in the political arena (and that includes the press) do something that is embarrassing because it violates the customs of politics insofar as those customs are essential to carrying on democratic politics, and so is different from the rudeness that occurs in everyday life whereby people who are rude violate customs of etiquette, such as by making a pass at a friend’s wife, or not tipping the waiter, which allow ordinary social life to be stable and mutually satisfying. An example of political rudeness is Eisenhower showing up late at the White House to pick up Truman to go to the Eisenhower Inauguration. Truman properly interpreted that as an insult to the Presidency while Eisenhower simply saw it as an expression of his distaste for a person he thought to be a political hack, while seeing himself as a noble figure, forgetting that he had been ever so political when he refused to defend General of the Armies George Marshall, the man who made him, on the campaign trail just months before, when Joe McCarthy had called Marshall “a disgrace to his uniform”. Who was the person up to his eyebrows in politics?

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Social Distance

Social distance is a sociological concept that I will define as describing the differences between people that arises out of them having different ways of life resulting from their differing social classes. As a metaphor, it provides a sense of how social separation is like geographical separation, and that sometimes applies to sociological social distance, as when the poor live in the hills while the rich live in the flats, as occurs in Rio de Janeiro, or visa versa, where the rich live in the hills while the less affluent live on the flats, as occurs in Berkeley, California. Mostly, though, social isolation is a matter of people feeling comfortable or uncomfortable with one another (which comes close to the way Bogardus defines the concept) because of what they give off to one another about the way they lead their lives, as when people use more high faulting language than is part of common discourse in the community, or when people carry expensive accessories, real Gucci bags rather than knockoffs. Some people can tell the difference while others are just baffled. People who follow prize fights are likely not the swells who dressed up to go to championship fights, while it is noticeable that baseball is a sport that appeals across class barriers. Social distance is, I would  say, more significant and subtle than the bi-polar or multi-polar social divisions, like gender and race, that  have been the focus of attention for the past few generations, and which are noteworthy because they are largely overt, people classified clearly as of one or another kind, white or black or brown, or male and female, with a great deal of attention paid to those who fall in the middle, quadroons in an earlier time, transgender people nowadays. People fight for their classifications within and fight against those groups external to them in those dimensions of social life, some even holding out the hope of a time which  is post-racial and, maybe, sometime way off in the future, post-gender, in that people will be polymorphous in choosing sex partners. Social distance is not like that because people may not be aware of where they belong or the extent to which they belong to one social class or another and experience their membership within their social class as not anything noteworthy but only as the way they tend to be, the path of least resistance for habits, beliefs, accoutrements, language, and so forth. To borrow Erving Goffman’s term, people "give off" their social class, emit it, through their behaviors, rather than treat social class as a creed, even if ideologists of class may want people to become more self-conscious of their class and act in the interests of their class, just as some, and only some, Black men and women of the Thirties were known as “race people” because of their self-conscious adoption of race as the explanation of the social condition of Black people. Much more has to be said about social distance to restore it to its importance for the explanation of social life.

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The Audience Is In Charge

There is something mysterious, peculiar and profound about the existential relationship between audiences for art, literature, music, theatre and also the modern media of television and movies, and the objects of their attention. Critics from Aristotle to Northrope Frye have tried to turn the arts into the subject of a scientific discipline, and to my mind have been largely successful. You know how to evaluate a play or a novel because you have learned the type of thing it is and so apply the relevant criteria. Shakespeare does tragedies and he also does problem plays and you are simply mistaken if you expect to get the same thing out of both. That is what a scientist does. But people resist this impulse, if that is what it is rather than a wrongheaded attempt to make art into something that is not. Rather, what people do is evaluate first and then find reasons to back up their judgments. You think of Romeo and Juliet as a gushy teenage romance and then you find things in the plot or the poetry to back that up and simply decide not to notice or just fail to notice the dark side of the play: that these teenagers are obsessed with one another to the point of suicide. You don’t like Jane Austen because you think she repeats herself in every book when in fact she tells a different story and evokes different emotions in every novel, all in the service of her overall plot form, which is how a woman finds a suitable husband, the mystery being to discover what makes him suitable for her. It isn’t that a more callow interpretation is so much wrong, “interpretation” the right word to describe the way a reader makes sense of a book, as it is that a callow interpretation is a premature judgment that can be changed when a person gives a more sophisticated judgment to bear and so can more clearly see a book for what it is. The wise come around to Jane Austen; the rest never do, even if they are enchanted by Regency manners and the Regency setting. How does this world work, in which the audience’s prejudices and perhaps callow judgments take precedence over what is actually there, on the stage or in the text? How is it that we learn from literature by imposing our will on it rather than being its students?

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Trump's Tirades

So many people tell me that the country is in terrible shape. They point to Trump’s tirades, which are indeed pretty terrible, but which are also largely inconsequential. The economy is doing fine, though we have not figured out a way to deal with the declining wages of larger and larger parts of the work force, a situation which has spread all the way up to the salaried professionals, and we do not know how to do away with the educational gap between people of color and whites and Asians, the latest New York test scores showing that about sixty percent of Asians and whites score at grade level in reading and math while about twenty percent of African Americans and Hispanics score at grade level. But these are deep problems of social structure that must await a truly progressive administration to be addressed, while the problems that immediately confront this administration are going just fine. North Korea has quieted down and Rachel Maddow may be correct in thinking that the whole brouhaha was cooked up by trump to shift attention away from his own troubles, which is the Russia investigation and also the fact that Congress will not give him what he wants, which is his wall and an end to the Russia investigation. We have ceded Syria to the Russians while taking out ISIS by ourselves and with Kurd and Iraqi and Iranian help; Putin has got what he wanted of Ukraine and is unlikely to push farther, knowing that our tainted President is not in any position to do him favors. Even climate issues are going the Progressive way, whatever Trump’s view of the Paris accords, because California and various corporations are going ahead with forging their own policies on carbon emissions. Greening America is too good a business for it to stop happening. Yes, Trump claims he will bring back coal, but he won’t, just as he claims he will build a wall, which he won’t because even a Texas Republican congressman can see that a technical fence is more effective and much cheaper than a concrete one. The wall is just a slogan that appeals to Trump’s very limited imagination, and so let us turn to the issues that have occupied the media in the past few weeks to get them through the summer doldrums of Congress being out of session.

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Jerry Lewis' Telethon

Jerry Lewis died just a few days ago at the age of 91. His obituaries focussed on his accomplishments as a film director after he broke up with Dean Martin. Like many others who follow movies, I regard all of his post Dean Martin movies as unwatchable rather than just merely bad, whatever it is that the French may think of Lewis as a filmmaker. To me, Jerry Lewis’ main accomplishment was as producer and star of the Muscular Dystrophy Telethons, a format for raising money for charity that he raised to being a kind of performance art. Let’s treat the genre of the Telethon as something worthwhile in itself.

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Reparations & Affirmative Action

Reparations are payments to survivors of atrocities or the group which suffered the atrocities as an acknowledgment of guilt and as an attempt to right at least part of the wrong. They are not a bad idea. Germany paid reparations to individual Jews and also to the newly found state of Israel to atone for the Holocaust. The money to Israel was blood money in the sense that millions of people had to die to get it but Israel accepted it anyway because they needed it at the time and because it proved the basis for what is now a long standing alliance between the two countries, the whole world having recognized the reality of Germany having overcome its past through acts such as this. Now we are in the midst of a new round of talks about reparations to African Americans for slavery. The difference here is that there are no actual survivors to whom to write checks and that the problems of African Americans in current American society are not of the sort that are solved by writing checks, even if lawyers are willing to monetize every damage. How much to a sixth generation survivor? How much to a ghetto crack addict? How much to the institutions, like education and health, that would help alleviate black poverty? Let us parse this question more carefully before arriving at a conclusion.

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Are Ambrose Bierce Stories Stories?

It is very difficult to figure out what makes a narrative, which is the telling of a sequence of events, into a story, which is a narrative shaped well enough to have a development and a point. Chronicles or lists of successive kings is a narrative that can become a story when filled out with anecdotes and contrasts. The best description of what a story is remains the one provided by Aristotle, who said that a story has a beginning, a middle and an end, but that is unsatisfactory as a definition because it doesn’t tell what are the minimum criteria for any of those three elements. Try to construct a minimal story and you wind up nowhere. Is the following sentence a story: “A robin fell out of a tree and died”? The robin in the tree was the beginning, otherwise known as the setting; falling out of the tree was the middle or the event of the story; and the robin’s death was the outcome caused by or juxtaposed with the event, and so the end of the story. But it is not much of a story. There is no point to it, no conflict, no twist whereby the middle and the end play off against the setting and one another. “Hamlet” is a story because a prince undertakes to overthrow a king and is foiled in his attempt perhaps because of circumstances and perhaps because of his own misgivings about himself, his setting, and his antagonists, about who is a friend and who is a foe. Now that is quite a story. Perhaps one way to deal with the question of what a story is is to look at a well respected writer who barely if at all writes stories that qualify as stories. Ambrose Bierce was a very popular writer during the Nineteenth Century, though little read now, except for his not quite story “Incident at Owl Creek” of which I will not give away the punchline because that is all there is to making it a story. Bierce was very good at sentences and had wit, and that is what carries him through, but are his stories stories or are they merely sketches, descriptions, that don’t add up to being any more than that? Let’s see.

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